Hunting for Mary Wollstonecraft’s house in Beverley, Yorkshire

This is the first in a series of guest blogs, running throughout 2022, from friends and fans of Mary Wollstonecraft - all working to keep her legacy alive.

By Barbara English of St Mary’s Church in Beverley, Yorkshire. The Church has unveiled plans for a series of carvings honouring nine "extraordinary individuals": all are women, and one of them is Mary Wollstonecraft (plaster cast pictured below), who lived in Beverley as a child.

Pictured above: A plaster cast of the carving of Mary Wollstonecraft that will soon be unveiled in St Mary's Church, Beverley, Yorkshire

All the great biographers have picked up the line in Godwin’s Memoir , “In Michaelmas 1768, Mr. Wollstonecraft again removed to a farm near Beverley in Yorkshire. Here the family remained for six years, and consequently, Mary did not quit this residence, till she had attained the age of fifteen years and five months”.

It is easy to interpret this as if the family stayed on the farm for six years: but the early letters contradict this. We now believe that they always lived in Beverley, and Edward Wollstonecraft went out of town to do whatever farming he wanted. “This residence” refers to Beverley and not the farm.

It was believed that the family lived in Wednesday Market, on the evidence of town account books showing Mr W [a wide variety of spellings] paying rates. A 20th century plaque in Wednesday Market affirmed this, but when we examined the rate books, we found that the heading of the relevant page was ‘Wednesday Market’ because that was the ward, but it in fact recorded the rates for several other surrounding streets, including Highgate which leads to Beverley Minster.

View of a street on a grey and rainy day - this is the view from Wollstonecraft's house at No. 2 Highgate, looking towards Beverley Minster

The view from the “unassuming” No. 2 Highgate, looking towards Beverley Minster

If you have delved into house history, you will know how difficult it is to find the right house when towns were slow to give street numbers and plots were sometimes divided. We did however get lucky, for soon after the Wollstonecraft family left the area, the house went to the Minster organists, a dynasty that remained there for nearly 100 years, long enough to be confident which house in Highgate it was. The identification was not helped by one rate book being in one record office, and its successor in a safe in another, not fully catalogued and only found by chance on another search by a colleague. Some pages had been torn out but fortunately not the ones vital for us.

There was great excitement. A cautious note was put through the door of unassuming No. 2 Highgate, hiding behind its Victorian windows, asking if there was any chance . . ? Fortunately the owner and tenants were delighted, and allowed us to see every room. It was unaltered Georgian: floors, panelling, skirting boards, and a wonderful staircase. From the top floor, where the children probably slept, views of the town north and south. In the small garden a Gothic privy (pictured below), but we can’t be sure of its age.

The Gothic privy in the garden at No. 2 Highgate


The Gothic privy in the garden at No. 2 Highgate

That was in 2018. We removed the old plaque and put up a new one, on 2 Highgate, unveiled by Dame Susan Cunliffe Lister, our first woman Lord Lieutenant, and celebrated after in Beverley’s major coaching inn, the Beverley Arms. On the walls outside danced a projection of Mary Wollstonecraft by Stewy: it was stormy and she danced a bit too much, but for a time it was amazing. (And yes, we did crib the idea from the Mary Wollstonecraft on Parliament.)

We very rarely have access to 2 Highgate, as it is a workplace. In the future we think it will revert to a private house, and perhaps be more accessible on Heritage Open Days. It was a wonderful adventure for us. We believe that it is the only house still standing* that Mary Wollstonecraft lived in.

Up here the men are still puzzled when I go on about how immensely important she was/is and their brows always clear when I mention Frankenstein . . . it would be much easier to sell Mary Shelley!
— Barbara English

And soon the carving of Wollstonecraft on St Mary’s church will be unveiled – across the street from the dancing Mary. She is also going to be commemorated by a sculpture in the new Trinity College Dublin library, along with Lovelace, Gregory and Franklin.

*It may be the only house she lived in in England that is still standing, if we discount the Irish castle.

Author’s note: ‘We’ in this piece includes David and Susan Neave, historians, colleagues and friends, without whom this puzzle might never have been solved.

The second in our occasional series of guest blogs is coming soon. Please get in touch if you have an idea for a piece!

The Wollstonecraft Society
London schoolgirls bring Wollstonecraft to life: "It's so important to remember great women and their achievements!"

The talented drama students of La Sainte Union created a live performance that they shared on site in New Unity to commemorate the birth of Mary Wollstonecraft. The dance was called Fragment of Feminism. After their performance the girls paid tribute to the mother of feminism by visiting Maggi Hambling’s Sculpture for Mary Wollstonecraft.

Here, Year 12 student Kezia Adewale tells The Wollstonecraft Society’s Bee Rowlatt about the inspiration behind the piece.

A group of schoolgirls perform a dance inspired by the life of Mary Wollstonecraft, in front of a banner showing John Opie RA's famous portrait of the author.

Bee: “Why does it matter to remember great women of the past?”

Kezia: “It’s so important to remember great women and their achievements because they paved the way! It matters for all of us, for everyday people and even for people like Malala. Mary Wollstonecraft is someone you can learn about and when you think about her life it makes you feel better. I get inspiration and think - I want to be like that in the future, they are proof of what you can do.”

Bee: “What do you think of when you hear the words human rights?”

Kezia: “To me it means ending discrimination. If I go for a job and someone thinks I’m foreign or ‘other’ then that could go against me. There are many kinds of discrimination and I notice these kinds of comments, I can hear them sometimes. I think the way to learn more about discrimination is by having conversations with people. It is not easy to tackle though. I also think of human rights when I think about education. It is in the news at the moment that girls are being denied an education in Afghanistan, and it makes you think about how we take so much for granted.” 

It’s so important to remember great women and their achievements because they paved the way! [...] I get inspiration and think - I want to be like that in the future, they are proof of what you can do.
— Kezia Adewale, Year 12 student, La Sainte Union

Bee: “What books have inspired your sense of politics?”

Kezia: “We studied Three Women by Chekhov in an adaptation by Inua Ellams and it really moved me. It was very graphic and powerful. Reading and performing in plays are good ways to get inspired by ideas. And I also loved How To Be A Woman by Caitlin Moran!”

Bee: “Tell me about the performance you created inspired by Mary Wollstonecraft!”

Kezia: “It was a journey showing different waves of feminism, moving from Mary Wollstonecraft to Malala, and we brought in and shared some of that journey in the performance. What it showed was the journey to empowerment. We really enjoyed ourselves. It was amazing to perform it in the very place where Mary Wollstonecraft lived, she was part of a community in that same chapel. Afterwards we went and visited the memorial sculpture made by the artist Maggi Hambling. It was all very inspiring and we are developing that performance into part of our A-level project.”

Congratulations to Kezia and her classmates from all of us at The Wollstonecraft Society!

Photos included with permission.

The Wollstonecraft Society
Sign up for the inaugural Wollstonecraft Society Lecture

Register here

Mary Wollstonecraft and the Vindication of Human Rights - Wednesday 28 April 6:00pm to 7:15pm

The inaugural Wollstonecraft Society Lecture with world-renowned scholar and Nobel Laureate, Professor Amartya Sen, in partnership with the International Inequalities Institute and Newington Green Meeting House.

This is a live digital event, free and open to all, on Wednesday 28th April at 6pm.

As well Wollstonecraft's intellectual audacity, it is her love for humanity and self-proclaimed “ardent affection for the human race” that continues to inspire. This lecture from a globally renowned thinker will explore how, despite a savage pandemic, economic downturn and increasing isolation, there is a counter-story of community building and education, of optimism and hope.

Register here

This lecture is part of a week-long series of events programmed around Mary Wollstonecraft's birthday by Newington Green Meeting House, for details of the other events see the meeting house's events page.

What we’ve been up to
Students at La Sainte Union school with Bee Rowlatt (photo: Sarah O'Keefe)

Students at La Sainte Union school with Bee Rowlatt (photo: Sarah O'Keefe)

It’s been quite a year but we are still engaging young people with Wollstonecraft's legacy through school visits and projects as appropriate. We are also looking forward to doing much more in 2021 and 2022! Meanwhile we have been:

  • Consolidating relationships with partners who, like us, want to make Wollstonecraft’s extraordinary, iconoclastic legacy more accessible

  • Continuing to engage with debates sparked by the launch of Maggi Hambling’s Sculpture for Mary Wollstonecraft

  • Amplifying and contributing to other initiatives, like the #CelebrateMary birthday celebrations


You can help by: